October 15, 2023October 15, 2023 Justine Kraemer

#TIFF23: “Flora and Son” is a Meditation on Family and the Power of Music

October 14, 2023October 14, 2023 Justine Kraemer

#TIFF23: “Next Goal Wins” is a Sports Comedy With Heart That Doesn’t Always Come Together

October 14, 2023October 14, 2023 Justine Kraemer

#TIFF23: “Dumb Money” is a Wild Ride With a Timely Message

October 13, 2023October 14, 2023 Justine Kraemer

#TIFF23: “Anatomy of a Fall” is a Stunningly Authentic Portrait of a Modern Relationship 

October 11, 2023October 11, 2023 Justine Kraemer

#TIFF23: “The End We Start From” is Quietly Poignant Reflection on the End of the World 

October 2, 2023October 15, 2023 Justine Kraemer

#TIFF23: “Concrete Utopia” is a Disaster Epic With a Message for Our World

September 30, 2023October 1, 2023 Justine Kraemer

#TIFF23: “Pain Hustlers” is an American Horror Story That Struggles to Maintain Focus

September 30, 2023September 30, 2023 Justine Kraemer

#TIFF23 TV Preview: “All the Light We Cannot See” Fails to Live Up to Its Potential

September 30, 2023September 30, 2023 Justine Kraemer

#TIFF23: “Lee” is an Endearing if Slightly Problematic Look at an American Legend

September 30, 2023September 30, 2023 Justine Kraemer

#TIFF23: “The Boy and the Heron” is a Heartfelt Tribute to a Legendary Legacy