October 8, 2022October 9, 2022 Justine Kraemer

TIFF22: Klaus Härö and James Cosmo Talk ‘My Sailor, My Love’ and Their Film’s TIFF Debut [Interview]

October 8, 2022October 8, 2022 Justine Kraemer

TIFF22: ‘The Wonder’ Review: An Enthralling Historical Epic

October 8, 2022October 8, 2022 Justine Kraemer

TIFF22: ‘My Policeman’ Review: A Heartbreaking and Timeless Period Piece 

October 7, 2022October 7, 2022 Justine Kraemer

TIFF22: ‘Carmen’ Review: A Gorgeous Operatic Adaptation

October 6, 2022October 6, 2022 Justine Kraemer

TIFF22: ‘Bros’ Review: A Romantic Comedy with Big Laughs and a Bigger Heart

September 29, 2022September 29, 2022 Justine Kraemer

TIFF22: ‘Women Talking’ Review: A Tragic and Empowering Story For Our Time

September 25, 2022September 25, 2022 Justine Kraemer

TIFF22: ‘The Woman King’ Review: An Astounding Historical Epic That Captivates

September 25, 2022 Justine Kraemer

TIFF22: ‘The Umbrella Men’ Review: A Delightful Heist Tale That Inspires

September 18, 2022September 29, 2022 Justine Kraemer

TIFF22: ‘Glass Onion: A Knives Out Mystery’: A Frighteningly Hilarious and Timely Whodunit

September 9, 2022September 8, 2022 Justine Kraemer

TIFF22: ‘My Sailor, My Love’ Review: A Quietly Brilliant Look at Last Loves